In England, little is known of the trade and its structures before the late 13th century, at which paint guilds began to form, amongst them the Painters Company and the Stainers Company. These two guilds eventually merged with the consent of the Lord Mayor of the City of London in 1502, forming the Worshipful Company of Painter-Stainers. The guild standardised the craft and acted as a protector of the trade secrets. In 1599, the guild asked Parliament for protection, which was eventually granted in a bill of 1606, which granted the trade protection from outside competition such as plasterers.
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This is the memoir of a professional painter (think houses, not canvas) from Montana who desperately wants to be something else. Or does he? Burbidge rolls out the long, sometimes painful, but always interesting journey he underwent for 15 years, and his eventual break with that fascinating subculture, all the while retaining his painter’s soul. The book, as you might assume, is not really about painting. It’s about the people who apply the paint. It’s also about their lives, loves, hates, prejudices, addictions, and phobias. Burbidge describes them as “Dressed in white as they craft a backdrop to civilization, painters invite invisibility, smarting from the stigma of a simpleton occupation.” The author’s masterful descriptions, dialogue and characterizations serve as an ideal base coat for these entertaining stories in which humor is often found even amid the soul-deadening weight of the daily grind. Burbidge hints at an undeniable pride in being a professional painter. And for good reason, as he says in his introduction: “First fact about paint: it’s only one-thousandth of an inch thick when dry. But that one-thousandth of an inch protects and colorizes most of what humans construct on this planet, so what it lacks in depth it recovers in width, despite going largely unnoticed except by the people who put it there. The painters.” The next time I visit a supermarket or cross a bridge, I will try to remember that someone had to go up there, brush, roller, or sprayer in hand, and do the job that most of us take for granted. I’ll think about what that person looks like, if he has kids, a college degree, a gambling addiction, a penchant for practical jokes, or a chip on her shoulder about how the public perceives her choice of occupation. And if you read this powerful and entertaining collection, I bet you will, too.
Actor Chuck McCann attends Madame Tussauds Hollywood grand opening party for the all new MARVEL 4D Theater Experience on July 10, 2014 in Hollywood, Calif. Actor and comedian McCann, who recorded the famous line "I'm cuckoo for Cocoa Puffs!" has died. He was 83. His publicist Edward Lozzi says McCann died Sunday, April 9. 2018, of congestive heart failure in a Los Angeles hospital. Ben Horton, Getty Images
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As a former college student and former painter, I instantly related to all of the author's observations regarding painters and the painting occupation in general. It took me a total of nine years off and on to graduate from college and start a professional career, and a lot of my motivation came from thousands of hours of painting houses and roughnecking on oil rigs during my 20s. John's sense of humor about the drudgery of painting was a perfect fit with his drive for perfection on every painting job.
"Cutting in is an acquired skill, but it's something you can't do at all with a ratty brush," says Doherty. When cutting in on a wall, he loads his brush and spreads out the excess paint, then works the brush up to the line between wall and ceiling. A brush stroke that's too wide creates a hatband, or smooth brushed band, on the very top of the wall where it meets the ceiling. To avoid this, Dixon recommends rolling first and then cutting in with a brush. "A good roller can get within 1/2 inch of the ceiling," he says. "You'll save time by not brushing more then you have to." When painting baseboards, "a wide taping knife makes a good paint guard," says Span. "Just keep the blade clean to prevent drips from working around the edge of the knife."
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As a former professional painter, something that drives me crazy is when I see painters cut in around wall plates. First of all, the amount of time that it takes to cut in is usually much longer than the amount of time that it takes to simply remove the wall plate. Secondly it does not look nearly as clean as it does when the wall plate is removed and thirdly it can invariably leave paint on the wall plate itself which also looks sloppy. Make sure the painter takes them off and then reinstalls them. It's less time.
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For interior paint I prefer the semi-gloss, provides a very subtle sheen and is super easy to clean -no flaking, chipping, etc. I've painted a lot, and found that Sherwin Williams Ovation paint has been the easiest to use, and provides the best coverage. I even painted my ceilings with it and WOW! I was done it no time at all, with perfect coverage.
Sanding not only feathers out chipped paint but also provides "tooth" for the next coat of paint. For glossy trim, use a sanding sponge rather than sandpaper. Sponges mold to the shape of the trim and last longer than paper. When applying latex over alkyd paint or when he is not sure of the original finish, Brian Doherty, a painter in Richmond, Virginia, follows the hand-sanding with liquid sandpaper to make sure the surface is completely deglossed to prevent incompatibility problems. "I've seen homes where latex was used on oil-painted trim, and the paint started to peel in less than a year," says Doherty.
Painting the interior of your home can give it a fresh new look. People paint their interiors to revive tired or dirty walls, match a new interior design, brighten a dark room, or to visually change the scope of the area. Because many interiors follow what’s known as a “color story,” or a cohesive color design throughout the home, it’s not uncommon to paint the entirety of a home interior at one time.
I'm an architect and my firm routinely specifies interior finishes for projects so I thought I'd contribute a professional's perspective on the issue of how many coats of paint are deemed "acceptable". The fact of the matter is the average consumer usually isn't a paint expert and can't be expected to know about all the factors that impact coverage. That knowledge is considered "means and methods" and in a court of law, the responsibility lies with the painter or general contractor, not the consumer. What the consumer should be concerned about is the final result-does it look good and is it what you expected? The simplest way to communicate this to your painter is to stipule in your written agreement that the number of coats will be "as required to cover". That way all the guess work about what kind of primer, how many coats, how color affects the scope of work, etc., is removed from the consumer's responsibility and resides where it belongs-with the professional. In the contract that's why retention is always a good idea-typically 10% is withheld from payment until the job is completed to the satisfaction of the customer. Of course in return you as the customer have to be reasonable about what constitutes a completed job. Just my $.02.
If there is any peeling — and there usually is somewhere — it's essential to scrape off any loose paint. This doesn't just mean the parts that are already separated from the wood and ready to fall off on their own. Each spot where paint has peeled loose needs to be scraped thoroughly until you can no longer get the sharp corner of a putty knife under any of the surrounding edges of paint. Then, the bare spot needs to be sanded until the paint edges are smooth.
I was taught to paint by a professional and when estimating the amount of paint needed, I always allow for a second coat just to make sure of coverage. We interviewed a painter who tried to tell me I bought poor quality paint without knowing where I purchased it, and stated he would have to buy all new paint. He had not seen the cans and was just guessing so I asked him where I should buy paint from now on. It was the same place I had purchased my paint and he wanted to charge me an extra 20 a gallon more than what I paid for. Needless to say, I have interviewed numerous painters and they are not all honest.
When you refinish your existing cabinet doors, you get a whole new look without the astronomical costs normally associated with a kitchen remodel. It’s a much smarter way to update your space, especially if your cabinets are still in good condition. It doesn’t make sense to throw out perfectly good materials, just because you’re tired of the color.